I am not allowed to write an essay for you, but I believe that I can get you on the right track by answering several of the questions in the prompt.
Connie smirked and let her hair fall loose over one shoulder. She has created an attractive adult persona through her clothing, hairstyle, and general behavior and gets the attention she desires from boys. Her experiments with creating a sexy appearance and enticing boys in the local diner serve as her attempt to explore new worlds as well as a new side of herself.
Through domination the need for obedience occurs through the desire for love. Though she spends her time in the restaurant with older boys, she is still reliant on others to take her home.
The love and romance evident in songs she listens to and images of pop culture that surround her are much different from the reality of adult sexuality.
Themes Fantasy versus Reality Although Connie works hard to present the appearance of being a mature woman who is experienced with men, her encounter with Arnold reveals that this is only a performance. Connie, like other female adolescents, is taught the importance of obedience to patriarchy.
At first this connects Connie and Friend but she soon realises that he may not be all that he seems. He may be simply a strange man, he may be the devil, or he may be a nightmare that Connie is having from staying in the sun too long. Though Oates has never confirmed that she took the title of the story from this verse, it would appear to be too coincidental for it not to have been taken from the Old Testament.
Connie differentiates herself specifically from the women in her own family. Symbolically this may also suggest that Connie is not yet ready to be independent, she is after all only fifteen years old. But Connie confuses her ability to command attention from boys with her desire to actually have them pursue her in a sexual way.
The things Arnold says to Connie accurately represent the search she has undertaken as a teenager seeking maturity. In an attempt to gain some form of independence, Connie chooses to lead a double life. It is also noticeable that very early on in the story Oates explores the theme of conflict. Any attempt to break free from the chains of patriarchy will ultimately end in demise or rape.
Written in and narrated in the third person by an unnamed narrator, most critics would agree that the story is based on the crimes committed by Charles Schmid. Benjamin begins her theoretical process with the first step of male domination through differentiation. This is in contrast to Connie who believes that looking attractive is the most important thing in life.
The line between fantasy and reality is blurred by Arnold himself, who never quite falls into one category or the other. When Arnold Friend arrives and interacts with her as the mature woman she has pretended to be, he yanks her out of her childhood adventures and places her firmly into an adult world from which no one will rescue her.
The conflict is resolved when Friend wins. Fire being associated with the Devil. Even when she threatens to call the police, he remains fixed at the door. Cite Post McManus, Dermot.
Also some critics suggest that Oates is symbolically linking Friend to the Devil, or to the common perception of the Devil. Though June works hard and would seem to be going in the right direction, Connie, possibly through naivety believes that her looks will carry her through to maturity.
Connie associating or linking her fantasies of what romance is, to the popular songs being played on the radio. Works Cited Barstow, Jane. At the end of the story it is the adult Friend who is in control and the reader senses there is an end of innocence for Connie.
There also appears to be an internal conflict within Connie. Naivety and inexperience are two characteristics that portray Connie as a weak teenager, desperately seeking to find her identity in a world where women are expected to act a certain way. However, even through the absence, the men hold a strong power over the women.
There is also a conflict that exists between Connie and her sister, June. Connie wanted to control her life or be independent however by focusing on her looks she has allowed an older man control her.
She struggles to be independent, believing that by being attractive she will reach her goal of standing on her own two feet. With an uninvolved father, Connie is unconsciously forced into the open arms of a rapist through the struggle to gain attention from an older male figure.
The encounter seems to be over and done with. Author Jane Barstow argues that the Americanized patriarchal society prohibits women from being able to distinguish the evils present in society Barstow.An Analysis of Joyce Carol Oates’ Where Are You Going, Where Have You Been - An Analysis of Joyce Carol Oates’ Where Are You Going, Where Have You Been Joyce Carol Oates is one of the most productive writers of our time.
Left to have sex, was in "alley for 4 hours" Post-modernist works like this one: Do not give full conclusion, leaves ultimate ending up to the person reading the story. Get an answer for 'What is the central conflict in "Where Are You Going, Where Have You Been?" by Joyce Carol Oates?
When, where, and how does it develop or become more complicated as the story. Summary: This composition describes the conflict in the short story "Where Are You Going, Where Have You Been?" by Joyce Carol Oates.
Conflict in "Where Are You Going, Where Have You Been"" "Where Are You Going, Where Have You Been"" by Joyce Carol Oates is a short story of a teenage girl Connie.
"Where Are You Going, Where Have You Been?" is a short story by Joyce Carol Oates that was first published in Where Are You Going, Where Have You Been?
study guide contains a biography of Joyce Carol Oates, literature essays, quiz questions, major themes, characters, and a full summary and analysis of the short story Where are You Going, Where Have You Been.Download